Selasa, 27 April 2010

[V624.Ebook] Download PDF The Lazy Rooster: A Waverley Story Book for Children, by Amanda Stanford

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The Lazy Rooster: A Waverley Story Book for Children, by Amanda Stanford

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The Lazy Rooster: A Waverley Story Book for Children, by Amanda Stanford

The Waverley Story Books for Children have simple words that stand alone in very large text, which encourages young learners to focus on the words of the story before appreciating the pictures of the story’s adventures. -- The illustrations tell sweet, imaginative stories that really draw children in, and the simple language and rhythm encourages them to follow along. The Lazy Rooster doesn't want to get up and crow - what happens? Nothing! No food, no work, no morning. What's the farm to do? Find out in this wonderfully simple, yet inventive book. -- Moving from lap reading to independent reading is a source of great pride for many beginning readers and I hope you and your little one enjoy these books as much as mine did. --Dr. Amanda Stanford

  • Sales Rank: #5343793 in Books
  • Published on: 2014-02-26
  • Original language: English
  • Dimensions: 10.00" h x .11" w x 8.00" l, .32 pounds
  • Binding: Paperback
  • 46 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
My son loved the book
By Olya
My son is 21 months old. He loves reading the book. I like that the text is on a separate page from the illustrations. He pays attentions to the words and points at those that he knows.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Great book.

See all 2 customer reviews...

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Senin, 26 April 2010

[S722.Ebook] Download Ebook Cómo Escribir un Libro.: Las Técnicas Secretas de los Escritores Exitosos. ("Los Libros Interactivos de Escrito Y Hecho" n&or

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Cómo Escribir un Libro.: Las Técnicas Secretas de los Escritores Exitosos. (

C�MO ESCRIBIR UN LIBRO

Imagina poder compartir tu mensaje con el resto de personas...

O poder posicionarte como experto en tu nicho de mercado, haciendo que tus clientes te vean como su principal referente a la hora de elegir...

�Suena bien verdad?

Pues eso es lo que puedes lograr, entre otras muchas cosas, escribiendo un libro.

Pero esta es la realidad, la Gran Mayor�a de personas que intentan escribir un libro, o no lo empiezan o acaban por dejarlo a medias.

�La raz�n?

Tienen el conocimiento, pero no saben c�mo plasmarlo en palabras.

Es por este motivo, por lo que me decid� a escribir este libro para ti. Para ayudarte y que por fin logres hacer realidad tu proyecto de ser escritor.

En "C�mo Escribir un Libro" he intentado reunir las t�cnicas mejor guardadas de los Escritores Exitosos y las he explicado con todo lujo de detalles y sobre todo, con un lenguaje claro y directo, ya que mi �nica intenci�n es que aprendas c�mo hacerlo, no lucirme como si fuera a ganar el Nobel de Literatura.

Puede que est�s pensando que este es un libro m�s de esos que te dicen c�mo se hacen las cosas y listo. Pues d�jame decirte que te equivocas.

Francamente, hay algo que he tenido clar�simo a la hora de escribir "C�mo Escribir un Libro" y es, que no quer�a que fuera un libro que se lea y se olvide, sino que fuese un libro vivo, un libro interactivo, un libro que te vaya llevando de la mano paso a paso, para que, una vez termines de leerlo, hayas escrito el tuyo (siempre y cuando implementes todo lo que te muestro aqu� dentro).

En definitiva, que sea tu manual de ayuda permanente.

Pero me gustar�a contarte m�s sobre lo que sabr�s hacer en cuanto empieces a leerlo:

- Har�s una Investigaci�n efectiva sobre el tema de tu libro.
- Planificar�s correctamente tu m�todo de trabajo y preparar�s las herramientas necesarias para escribir.
- Escribir�s tu libro de la manera m�s productiva y eficaz y aprender�s c�mo vencer a la temible Hoja en Blanco.
- �Sab�as que muchas personas arruinan su trabajo por no hacer una correcta Edici�n de sus libros? No te preocupes, no es tu caso.
- Y por supuesto que tambi�n lo publicar�s, ver�s qu� r�pido y sencillo...

Pero eso no es todo, para que vayas evaluando tu aprendizaje, he preparado una serie de peque�os cuestionarios, que te dejar�n claro si lo has entendido o has de repasar de nuevo lo aprendido.

As� que, ha llegado el momento de la verdad.
�El momento de TU VERDAD!

Ya no tienes excusas, porque si sigues e implementas todo el contenido que he preparado exclusivamente para ti, te aseguro que tedr�s un libro publicado en cuanto acabes de leer este.

�Adelante, ponme a prueba!
O mejor dicho... �Ponte a prueba!

Porque al fin y al cabo, la �ltima palabra la tienes t�.

Te espero dentro...


  • Sales Rank: #361474 in eBooks
  • Published on: 2015-07-01
  • Released on: 2015-07-01
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Un Libro Muy F�cil de Leer y Seguir para Aprender a Escribir Un Libro
By Jorge Salazar
El libro de Sento Lorente es simplemente fant�stico.

Como me sent� muy atra�do por su lectura super f�cil, comet� el pecado de leerlo todo de corrido, cuando el autor en realidad nos pide ir implementando los pasos e instrucciones de cada cap�tulo antes de pasar al siguiente, de forma que en verdad nos hagamos las mangas de la camisa para arriba y nos pongamos a investigar de qu� va a ir nuestro libro, hacer el esquema, dise�ar la portada, escribir el libro, editarlo y publicarlo... pero ese fue mi error y sugiero que no sea el tuyo

Lo que si recomiendo es comprar este libro y seguirlo como se dice "al pie de la letra".

�Por qu� recomiendo este libro?

Es el primer libro sobre como escribir y publicar un libro y que realmente vale su precio 100% para mi, ya que sobre el mismo tema he comprado varios m�s que son francamente m�s de lo mismo, y aunque algunos de ellos tienen al menos una buena edici�n, otros parecen escritos sin el m�s m�nimo cuidado de los errores ortogr�ficos m�s elementales y ni que decir del estilo gramatical (y se supone que nos van a ense�ar a escribir un libro y a tener �xito como autor).

Este libro de Sento Lorente me parece que es la grata excepci�n. es muy recomendable y vale la pena leerlo.

0 of 0 people found the following review helpful.
Recomendado
By Jaime
Excelente libro! Ameno, sencillo, directo y lleno de contenido de alto valor. Lo recomiendo!

0 of 0 people found the following review helpful.
Me gust� mucho, lo f�cil, y ameno como ...
By Maria Luisa Douriet
Me gust� mucho, lo f�cil, y ameno como explica que es posible hacerlo, me gust� cuando explica como saber si hay inter�s en el tema, felicidades Sento, gracias por compartir tu talento, tu has sido mi inspiraci�n para aprender a editar y publicar los cuentos de mis hijas.

See all 6 customer reviews...

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[Z259.Ebook] Free PDF The Canterbury Tales (Longman Classics, Stage 2), by Geoffrey Chaucer

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This series provides a stimulating introduction to the great classic stories of literature and the best in children's fiction. The books are easy and enjoyable to read, and feature full-page, full-color pictures and photographs. Each title includes interesting information about the authors, and comprehension questions to spark discussion.

  • Sales Rank: #3330801 in Books
  • Brand: Brand: Longman
  • Published on: 1989-01
  • Format: Abridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 4.75" w x .25" l,
  • Binding: Paperback
  • 74 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

394 of 403 people found the following review helpful.
Canterbury Tales - Which Version is Best For You?
By Michael Wischmeyer
Over some period I have read several translations of Chaucer's Canterbury Tales. My first experience, selections in a high school text, was not promising. (Perhaps, I was not yet ready for Chaucer.) Translating poetry from one language to another is difficult and often unsuccessful. Translating Chaucer from Middle English is not much easier. English has changed dramatically in the last 600 years, to the point that Middle English is nearly indecipherable. For example, we read Chaucer's description of the Knight's appearance:

Of fustian he wered a gipoun (Of coarse cloth he wore a doublet)
Al bismotered with his habergeoun (All rust-spotted by his coat-of-mail)

A glossary, diligence, and time are required for reading the original Chaucer. If you choose to do so, the Riverside Chaucer edition (edited by L. Benson) and the Norton Critical Edition (edited by Olson and Kolve) are highly recommended. The Signet Classic paperback edited by D. R. Howard modernizes the spelling a bit, but largely adheres to the original Chaucer and is an easier introduction to Middle English.

Although in most cases the instructor assigns a particular version of Canterbury Tales, it can be exceedingly helpful to pick-up an additional version or two. A slightly different translation may entirely surprise you, even resonate with you, making Chaucer much more enjoyable. I suggest that you look for these versions:

Selected Canterbury Tales, Dover Thrift edition - provides a poetic, rather than literal interpretation, and is quite readable. The collection of tales is fairly small, however.

Canterbury Tales, Penguin edition, translated by Nevill Coghill, is an excellent poetic translation. It is a complete collection, arranged by Group A thru H, and also includes The Parson's Prologue, The Parson's Tale in synopsis, and Chaucer's Retractions. Coghill's translation remains my favorite.

The Canterbury Tales, Bantam Classic paperback edited by Hieatt, uses the "facing page" format with the original Chaucer on the left and a modern literal translation on the right page. I found the literal translation a little wooden, but this edition can be quite helpful if you need some help with Middle English. (A guide to phonetics, grammar, spellings, and a glossary is provided.)

Chaucer's Canterbury Tales (Barrons Educational Series) uses an "Interlinear Translation" format in which each line of Middle English is followed by a modern translation (literal to make the comparison easier). I rather like this approach.

Canterbury Tales, John Murray Publishers, London is hard to find, but provides a partial translation to modern English, maintaining as much as possible of the Middle English. This rather clever approach is somewhat risky, but the translator H. L. Hitchins pulls it off. With some effort I could follow the text without continually referring to a glossary and in a limited way I was "reading Middle English".

Canterbury Tales, Pocket Books, prose translation by R. M. Lumiansky, is easy to read, but while this prose format adheres to the storyline, it is only a shadow of the poetic Chaucer. It might prove useful if you are not comfortable with poetry.

Good luck. Reading Chaucer is really worth the extra effort.

181 of 189 people found the following review helpful.
One degree of separation...
By Wanda B. Red
The question is not whether to read the Canterbury Tales, but whether to read them in this translation -- or whether to go for the Middle English with all its difficulties.

I'm a purist. As a Chaucer teacher myself, I'd say read the tales in the Riverside Chaucer or in the Norton Critcal editon with lots of footnotes. But, yes, that is harder, and I'd rather see readers get some experience than none.

So, if you are going to compromise, Nevill Coghill's poetic translation is really as good a place to go as any. You will get the basic sense of Chaucer's verse; you'll get the basic rhymes and rhythms too. This is the translation that's used in most high school classes, and in many college survey classes that don't read the text in the original. It's really a fine compromise -- not only a good place to start, but also a decent trot if you are struggling with the Middle English.

You can find some closer translations of some of the tales online if you look up Michael Murphy's websites. But for all their virtues, they don't have the smoothness of Coghill's renditions; Murphy's translations are not the complete Tales; and it's clunky to print them out. This economical edition is probably still the best place to start with Chaucer, father of English poetry and the originator of comedy in the English language.

167 of 185 people found the following review helpful.
One of the major influences of modern literature.
By R. D. Allison (dallison@biochem.med.ufl.edu)
The version of this classic I read was a translation into modern English by Nevill Coghill. As you can see above, I awarded Chaucer (and the translation) five stars; but I do have a criticism. This translation (and many other publications of Chaucer) do not contain the two prose tales ("The Tale of Melibee" and "The Parson's Tale"). These are rarely read and I understand the publisher's and the translator's desire to keep the book to a managable size. Still, that should be the readers decision and no one else's. I had to go to the University library and get a complete copy in order to read those sections. As I mentioned, this copy is a translation into modern English. However, I do recommend that readers take a look at the Middle English version, at least of the Prologue. Many years ago, when I was in high school, my teacher had the entire class memorize the first part of the Prologue in the original Middle English. Almost forty years later, I still know it. I am always stunned at how beautiful, fluid, and melodic the poetry is, even if you don't understand the words. Twenty-nine pilgrims meet in the Tabard Inn in Southwark on their way to Canterbury. The host suggests that the pilgrims tell four stories each in order to shorten the trip (the work is incomplete in that only twenty-four stories are told). The tales are linked by narrative exchanges and each tale is presented in the manner and style of the character providing the story. This book was a major influence on literature. In fact, the development of the "short story" format owes much to these tales. All of the elements needed in a successful short story are present: flow of diction and freedom from artifice, faultless technical details and lightness of touch, and a graphic style which propels the story. In poetry, Chaucer introduced into English what will become known as rime royal (seven-line stanza riming ababbcc), the eight-line stanza (riming ababbcbc), and the heroic couplet. His poetry is noted for being melodious and fluid and has influenced a great many later poets. He has a remarkable talent for imagery and description. With respect to humor, which often receives the most negative responses from a certain group of readers (as witnessed by some of the comments below), there are at least three types: good humor which produces a laugh and is unexpected and unpredictable (for example, the description of the Prioress in the Prologue), satire (for example, the Wife of Bath's confession in the Prologue to her tale), and course humor, which is always meant to keep with the salty character of the teller of the tale or with the gross character of the tale itself. I am really stunned at the comments of the reviewer from London (of June 21, 1999). He/she clearly has no idea of the influence of the work nor on the reasons why Chaucer chose to present the humor the way he has. T. Keene of May 17 gave the work only three stars, presumably because it was once banned in Lake City, Florida. (Does that mean it would get fewer stars if it hadn't been banned?) Perhaps our London reviewer will be more comfortable moving to Lake City! Another reviewer suggested that "The Canterbury Tales" was only a classic because it had been around a long time. No! Chaucer's own contemporaries (for example, Gower, Lydgate, and Hoccleve) acknowledged his genius. My goodness, even science fiction books acknowledge the Tales (for example, Dan Simmons' "Hyperion," which won the 1990 Hugo Award for best science fiction novel of the year, is based on the Tales). These brief entries are too short to review all of the tales. Let me just descibe the first two. Other readers might consider reviewing the other tales in later responses. In "The Knight's Tale," the Theban cousins Palamon and Arcite, while prisoners of the King of Athens (Theseus), fall in love with Emelyn, sister of Hippolyta and sister-in-law to Theseus. Their rivalry for Emelyn destroys their friendship. They compete for her in a tournament with different Greek gods supporting the two combatants. Arcite, supported by Mars, wins but soon dies from a fall from his horse (due to the intervention of Venus and Saturn). Both Palamon and Emelyn mourn Arcite, after which they are united. It is the basis of "The Two Noble Kinsmen" by Fletcher and Shakespeare. "The Miller's Tale" is a ribald tale about a husband, the carpenter John, who is deceived by the scholar Nicholas and the carpenter's wife Alison that a second flood is due. In this tale, a prospective lover is deceived into kissing a lady in an unusual location. And, recalling the response from our reviewer from London, apparently this Tale should not be read by people from London (or Lake City)!

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Minggu, 18 April 2010

[F242.Ebook] Download Manual del psicólogo de familia / Family psychologist Manual: Un nuevo perfil profesional / A new professional profile (Spanish Edit

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Manual del psicólogo de familia / Family psychologist Manual: Un nuevo perfil profesional / A new professional profile (Spanish Edit

  • Sales Rank: #5390280 in Books
  • Published on: 2012-08-30
  • Original language: Spanish
  • Dimensions: 9.50" h x 7.50" w x 1.00" l, 1.90 pounds
  • Binding: Paperback
  • 456 pages

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Sabtu, 17 April 2010

[I683.Ebook] Ebook Pavis: Gateway to Adventure (HeroQuest Glorantha), by Greg Stafford, Jeff Richard

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Pavis: Gateway to Adventure (HeroQuest Glorantha), by Greg Stafford, Jeff Richard

Pavis: Gateway to Adventure contains 416 pages of pure Gloranthan gold, including: Character creation for Pavis heroes. Full write-ups for locations including New Pavis, Pavis Country, Sun Dome County, Prax, the Ruins of Feroda, and the Pavis Temple. 66 detailed random encounters and 20 special encounters for Prax, the River of Cradles, and Pavis - each an adventure in its own right. Four full-length scenarios: Rough Business; The Celestial Engine; Red Moon Rising; and the Purple Troll. Each features major characters, themes, and plotlines for campaigns set in Pavis. Dozens of adventure seeds. Full write-ups for six Gloranthan cults: Pavis, Flintnail, Lanbril, Yelmalio, Zola Fel, and the Seven Mothers. More than thirty maps! Revisit the classic city as you have never seen it before!

  • Sales Rank: #2683207 in Books
  • Brand: HeroQuest/Glorantha Cubicle Seven
  • Published on: 2012-11-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .88" w x 8.50" l, 2.65 pounds
  • Binding: Paperback
  • 416 pages

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3 of 3 people found the following review helpful.
Pavis is quite possibly the best single setting for adventurers
By Alaric
This review has two parts, the first part is for people who are not familar with the fantasy world of Glorantha, and the second part is for people who are experienced Runequest players and are wondering how much of this material is really new.

If you are tired of fantasy worlds that seem to consist of monsters sitting around in rooms until the adventurers arrive, then Glorantha is for you! Glorantha is a large and very elaborate world that has been extensively documented over many decades. Unfortunately much of the material for it is scattered among many sources and is difficult to access. Glorantha was originally supported exclusively by the Runequest system and is now also supported by the Heroquest system. This supplement to the Heroquest system details the city of Pavis and the area around it. Pavis is quite possibly the best single setting for adventurers, as it allows GM's to run urban, rural, forest, riverine or dungeon adventures from a single setting. Pavis is a fully detailed city with information on neighborhoods, religions, guilds, political factions, trade routes and local law enforcement. Since the Hero Wars system doesn't require the large stat blocks that other systems need to describe NPC's, more space is available for background information.

The material could be adapted to support a Pavis based campaign that uses another RPG system, or parts of it could be used to support a campaign set in another game world.

I only gave "Pavis Gateway to Adventure" 4 stars because the production values are not quite state of the art. Most of the art is Black and White and for some unknown reason, much of the art is not captioned, which can be confusing at times.

Now for the part of the review that will only interest experienced Runequest players. Most of the material in this book originated in earlier publications. I recognized material from Pavis, Big Rubble, Sun County, Borderlands and Cults of Prax. The 4 adventures in the book appear to be completely new and it was nice to see old friends like Griselda and Wolfhead return. The older material has been given a bit of a facelift with some subtle changes from the original publications, for example Guilds are now more prominent and important then they were before. There is very little information on the Big Rubble, only an 8 page overview is provided. The maps are a mixture of old and new but are of good quality. The artwork is also a mixture of old and new and even includes a few pages of new color art, mostly to support one of the adventures.

The four adventures are an interesting assortment. The first one is really just an excuse to make a few firends and a couple of enemies in Pavis. The second one is an Indiana Jones style "The Lunars are about to uncover a powerful magic item, lets make sure they don't get it" scenario. The third one is a murder mystery. The fourth adventure is the most interesting, a true heroquest, in which the PC's are forced to participate in a Lunar ritual.

The book is set in the 1618 - 1620 timeframe. If you are looking for one item to introduce players to Pavis this book will serve nicely.

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Selasa, 13 April 2010

[O725.Ebook] PDF Ebook The Laws of the Salian Franks (The Middle Ages Series)From Brand: University of Pennsylvania Press

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The Laws of the Salian Franks (The Middle Ages Series)From Brand: University of Pennsylvania Press

Following the collapse of the western Roman Empire, the Franks established in northern Gaul one of the most enduring of the Germanic barbarian kingdoms. They produced a legal code (which they called the Salic law) at approximately the same time that the Visigoths and Burgundians produced theirs, but the Frankish code is the least Romanized and most Germanic of the three. Unlike Roman law, this code does not emphasize marriage and the family, inheritance, gifts, and contracts; rather, Lex Salica is largely devoted to establishing fixed monetary or other penalties for a wide variety of damaging acts such as "killing women and children," "striking a man on the head so that the brain shows," or "skinning a dead horse without the consent of its owner." An important resource for students and scholars of medieval and legal history, made available once again in Katherine Fischer Drew's expert translation, the code contains much information on Frankish judicial procedure.

Drew has here rendered into readable English the Pactus Legis Salicae, generally believed to have been issued by the Frankish King Clovis in the early sixth century and modified by his sons and grandson, Childbert I, Chlotar I, and Chilperic I. In addition, she provides a translation of the Lex Salica Karolina, the code as corrected and reissued some three centuries later by Charlemagne.

  • Sales Rank: #1114936 in Books
  • Brand: Brand: University of Pennsylvania Press
  • Published on: 1991-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .61" w x 5.98" l, .97 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Used Book in Good Condition

Review

"Makes easily available to legal historians and medievalists alike an important source for social and political no less than legal history."—American Journal of Legal History

Language Notes
Text: English (translation)
Original Language: Latin

About the Author
Katherine Fischer Drew is Lynette S. Autrey Professor of History Emerita at Rice University and is translator of both The Lombard Laws and The Burgundian Code, also available from the University of Pennsylvania Press.

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3 of 3 people found the following review helpful.
A REAL TREAT
By M. Moini-Yekta
A book that needs to be on every coffee table, and classroom. European societies truly had their early start amongst these first written laws, and an interesting one at that. Very little is known of the early cultures of the Germanic tribes with the exception of the accounts by several Roman historians,and satire writers, however, these early laws are unbelievably captivating in their raw context. The lack of roman influence in these laws, and the amount of attention given to the most insignificant of details (but significant at the time) is absolutely amusing.

Their are for instance two pages of laws devoted to stealing a pig, laws on cutting a persons hand, laws on cutting a young boy or girls long hair, laws for using magical potions, laws for calling someone a witch and not being able to prove it, laws on stealing bees, laws for blocking a road, laws for killing a woman young and old, laws for lying, laws for cutting ones genitals...yes it just gets very interesting.

For example their were large fees attached to laws related to insults such as calling someone a rabbit, or cow dung. Penalties extended to wounds and injuries and penalties varied if one had cut 2 fingers, three fingers, the index fingers, the bow finger for shooting with an arrow, for cutting a tongue, ears, nose, and so on and on. The laws included medical fees, and fees reduced if the fingers for instance were found, or if the finger was not completely severed but still hanging. There were even laws for hiring a hit man who did not kill as promised.

A few more interesting points to mention here is that laws pertaining to women in particular is even more fascinating in that women were never considered to be a property of their husband nor did they have legal rights to any inheritance from their husband. A woman was given property by her parents, and inheritance by close kins. In fact women were not even responsible for paying a husbands debt, since marriage did not obligate a couple to each other.

Basically, a man and a woman were both obligated to serve their own children, Parental families, and a large extended family to the sixth degree both after marriage and after death. A man never was entitled to owning his wife's property, and his wife had no rights in owning any of his properties. All the inheritance by law went to children, and the specifics of the laws extended to as far as nieces,nephews,uncles,and so on. The web of family relations is tightly enforced in these legalities to an extend unseen today.

In all, I highly suggest buying this book even if you have no interest in laws. The shear scale of these early regulations will likely be of interest to anyone subjected to today's rules and regulations.

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